#WritingAdvice

I have a piece in the New York Times Book Review where I ask writers to offer pithy advice about writing:

I suspect writers are more likely than, say, firefighters or doctors or second basemen to seek professional advice from those they admire. This is because writing is regarded as a magical act, its mysteries parted, if only temporarily, by the adoption of some practical rules about point of view or the use of revealing details. The truth, of course, is that writing is a wholly individual, idiosyncratic practice. When I started asking writers I knew or met at literary festivals to sign their books with a piece of valuable advice, I began to see it not as self-help but, instead, as a glimpse into that particular writer’s mind.

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McNally Jackson Zoom Event

Every Day I Write the Book
Register for this free McNally Jackson event on Zoom. A conversation on writing between Amitava Kumar and Hua Hsu, Thursday, May 21, 7 PM EST.

From the McNally Jackson website:

Topic Amitava Kumar (Every Day I Write the Book) In Conversation with Hua Hsu

Description Amitava Kumar’s Every Day I Write the Book is for academic writers what Annie Dillard’s The Writing Life and Stephen King’s On Writing are for creative writers. Alongside Kumar’s interviews with an array of scholars whose distinct writing offers inspiring examples for students and academics alike, the book’s pages are full of practical advice about everything from how to write criticism to making use of a kitchen timer. Communication, engagement, honesty: these are the aims and sources of good writing. Storytelling, attention to organization, solid work habits: these are its tools. Kumar’s own voice is present in his essays about the writing process and in his perceptive and witty observations on the academic world. A writing manual as well as a manifesto, Every Day I Write the Book will interest and guide aspiring writers everywhere.

Amitava Kumar is Helen D. Lockwood Professor of English at Vassar College and the author of numerous books, including Lunch with a Bigot; A Matter of Rats; and Nobody Does the Right Thing, all also published by Duke University Press; and most recently, Immigrant, Montana: A Novel.

Hua Hsu began contributing to The New Yorker in 2014 and became a staff writer in 2017. He is the author of A Floating Chinaman: Fantasy and Failure Across the Pacific. He has previously written for Artforum, The Atlantic, Grantland, Slate, and The Wire. His work has been anthologized in “Best Music Writing” and “Best African American Essays,” and his 2012 essay on suburban Chinatowns was a finalist for a James Beard Award for food writing. He also served on the editorial board of “A New Literary History of America” (2009) and was formerly a fellow at the New America Foundation. Hsu is currently an associate professor of English at Vassar College and serves on the executive board of the Asian American Writers’ Workshop.

Pub Day

Today is the official pub day Every Day I Write the Book. LitHub has published an extract from the book on writers and their rituals.

And here’s an interview with Joe Donahue at the NPR station WAMC.

Duke University Press is offering 50% off through May 1. Use the coupon code SPRING50. Go here to buy the book.

In Case of Emergency

I had scarcely imagined a pandemic looming in the future when I designed this sign for Every Day I Write the Book. This book, a product of many years of labor, is out this month. It is being offered for a truly remarkable fifty percent discount at the Duke University Press site. Go here and enter the code ‘Spring50.’ We are living in trying times. Start writing. Keep a journal. What you write today will become a part of history. Do not trust the State to be a keeper of your memory. Do not trust the media. In fact, you cannot even trust your memory. Write it down, write it down. And please, buy the book that Kirkus Reviews calls ‘an engaging, perceptive companion for all writers.’